<mods:mods version="3.3" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mods:titleInfo><mods:title>Intertextual dialogue between E. Zamiatin`s “We” and A. Huxley`s “Brave new world”: a translatological view</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">Д. О.</mods:namePart><mods:namePart type="family">Вотінова</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>As it has long ago been postulated in the sphere of literature studies, dystopia is a postmodern genre, aimed at creating a negative image of a future world and depicting a totalitarian society. It gradually evolved from the genre of utopia and finally formed a unique genre alloy that accumulated all the negative experience of utopian expectations and created an image of a "lost" society, moving towards degradation and destruction. Classical dystopian novels, as well as their modern counterparts, usually involve literary techniques of science fiction, which provides numerous lexical and stylistic devices in representing a dystopian image of the world.</mods:abstract><mods:classification authority="lcc">P Philology. Linguistics</mods:classification><mods:classification authority="lcc">PA Classical philology</mods:classification><mods:classification authority="lcc">PE English</mods:classification><mods:classification authority="lcc">PR English literature</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2017</mods:dateIssued></mods:originInfo><mods:genre>Conference or Workshop Item</mods:genre></mods:mods>