@inproceedings{zu228126,
       booktitle = {Wsp{\'o}{\l}czesna filologia: aktualne kwestie i perspektywy badawcze?},
           title = {Intertextual dialogue between E. Zamiatin`s ?We? and A. Huxley`s ?Brave new world?: a translatological view},
          author = {?. ?. ????????},
            year = {2017},
           pages = {153--156},
             url = {http://eprints.zu.edu.ua/28126/},
        abstract = {As it has long ago been postulated in the sphere of literature studies, dystopia is a postmodern genre, aimed at creating a negative image of a future world and depicting a totalitarian society. It gradually evolved from the genre of utopia and finally formed a unique genre alloy that accumulated all the negative experience of utopian expectations and created an image of a "lost" society, moving towards degradation and destruction. Classical dystopian novels, as well as their modern counterparts, usually involve literary techniques of science fiction, which provides numerous lexical and stylistic devices in representing a dystopian image of the world.}
}